The later age of tango has been dominated by Ástor Piazzolla, who became famous after Carlos Gardel's El día que me quieras was released. During the 1950s, Piazzolla consciously tried to create a more pop-oriented form of tango, earning the derision of purists and old-time performers. The 1970s saw Buenos Aires developing a fusion of jazz and tango, alongside tango-rock, mixing tango with rock and roll. Litto Nebbia and Siglo XX were especially popular within this movement. In recent years is important the work of argentine band 020 (zero2zero), whose epic album "End of Illusions" mixed British style pop-rock with nuevo tango.
The so-called post-Piazzolla generation (1980-) includes musicians such as Dino Saluzzi, Rodolfo Mederos, Enrique Martin Entenza and Juan María Solare. Piazzolla and his followers developed Nuevo Tango, which incorporated jazz and classical influences into a more experimental style.